Celebrating the Words of African Women and Women of African Descent.

Category: Historical Fiction

Book Review and Reflection of Half of a Yellow Sun by Chimamanda Ngozi Adichie

Reading Time: 3 minutes
My copy of Half of a Yellow Sun by Chimamanda Ngozi Adichie. The book cover features a patterned design with blue, green, and yellow tones. The background shows a peaceful garden pathway lined with tall green hedges and trees, on a serene, summer day.
Half of a Yellow Sun by Chimamanda Ngozi Adichie – a powerful novel that stays with you long after the final page.

Published: 2006

Genre: Historical Fiction

Country: Nigeria

Get the book HERE


Introduction

Ever read a book that stayed with you for years? That was Half of a Yellow Sun for me. What happened to my favourite character, Kainene, towards the end was deeply unsettling. I first read Half of a Yellow Sun in 2018 and knew I would need to revisit it. Seven years later, I returned to it. Chimamanda’s writing has a way of hooking one immediately, and even though this was a re-read, it was just as gripping as the first time I read it.


Book Summary

Half of a Yellow Sun is a story of so many things and so much learning. It is a complex interweaving of many layers of life, love, career, loss, war, and ultimately, survival. A thriving young professional couple, utterly smitten with one another, are tested in ways that can break anyone, but they survive.

Olanna and Odenigbo were living the life of their dreams. They loved each other and had moved in together, crafting a simple yet happy life for themselves. They were both educated and had a houseboy who adored them – Ugwu, and great friends who frequented their home for food, drink, and stimulating conversation. Odenigbo had great aspirations and strong beliefs for his country. Olanna’s twin sister, Kainene, always called him “the revolutionary lover.” Olanna was the daughter of a well-connected, wealthy man. What could possibly go wrong? Surely their love story was one written in the stars? But life, as we know it, is unpredictable and can change in an instant.

Odenigbo’s mother wanted a grandson, and Olanna was not producing one, even though this was not due to a lack of trying. So, the old woman devised a terrible plan to get her grandchild. As fate would have it, the grandchild she got was not the one she wanted: a boy. She got a girl instead and wanted nothing to do with her. Olanna immediately took her in and cared for her, despite the fact that the deceptive act of bringing that child into the world almost broke Olanna and Odenigbo. Olanna’s character was easy to love and adore. Still, this act of kindness on her part, taking in her husband’s child from an extramarital affair and loving her completely, was something to cherish about Olanna.

Just as life was about to get normal again, a civil war broke out, and Olanna and her family were on the side that wanted to break off from Nigeria – Biafra. This part of the book was a challenging read, as events escalated rapidly. Chimamanda described the devastation in incredible detail, which stays with you. Especially because the war did happen, and even though this was not a true retelling, it still made one think, because it’s not difficult to imagine that very similar events occurred in real life. The senseless killing of the Igbo people. The rape of women. The bombing and shelling, the starvation and death, and the utter deprivation that families suffered. From thriving, happy lives to being forced out of their homes and cities, becoming refugees and struggling to feed themselves and their children, to survive.

Kainene was one of my favourite characters in this book, which is why what happened to her still haunts me today. Kainene was a strong and resilient woman who lived life on her own terms. Having known her character from this book and having read all of Chimamanda’s books, I often feel that there is a character resembling her in many of Chimamanda’s works. In Dream Count, Omelogor reminded me a little of Kainene. Kainene was involved with a white man named Richard, and I couldn’t quite place why he was a character in the book.

Another favourite of mine was Ugwu’s character from the very beginning, and my heart broke for what the war did to him, but I suppose those are the consequences of such times. He was, nevertheless, a pure and good person, loyal to the core and full of love. Chimamanda, of course, wrote such a brilliant plot about Ugwu, and ultimately, I was happy he made it.

Before 2018, I had not studied African history extensively and had not read many books written by African women. I had also not travelled much outside Namibia. I was grateful to read this book and take further steps to learn about the Biafran War, which I had previously only heard about.

Chimamanda did an incredible thing with this book. Reading it felt like she sat down and wove an intricately complicated yet beautiful African basket: layered, twisted, decorated, and also complex and sturdy.

I would therefore recommend everyone to read this book.

See my review of Dream Count to learn about the author.

Book Review and Reflection: The Parlour Wife by Foluso Agbaje

Reading Time: 3 minutes
Cover of the novel "The Parlour Wife" by Foluso Agbaje displayed on a Kindle, held in front of lush green trees and bright daylight.
Reading The Parlour Wife by Foluso Agbaje on Kindle.

Published: 2024
Country: Nigeria
Genre: Historical Fiction, Coming of Age
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Introduction

The Parlour Wife by Foluso Agbaje is a compelling portrayal of agency, power, culture, patriarchy, aspiration, and more. Set during the 1930s and 1940s, a time when women were historically dispossessed and reliant on male decision-making, it captures the layered struggles of the era.

While the author notes that some parts of the novel are based on real events discovered through research, I found elements of the story difficult to connect with. Much of the narrative felt implausible for that specific time in Nigeria, especially for Nigerian women with a tone and style heavily influenced by British sensibilities.


Book Summary

Set between 1939 and mid 1940s, this novel captures a turbulent period for Africans, particularly women, under British colonial rule. As World War II progressed, colonised subjects, including Nigerians, were encouraged to enlist in the British army.

The story follows Kehinde, who lives a quiet and content life with her parents and her twin brother, Taiwo. While their father is a hardworking fisherman, Taiwo dreams of enlisting in the war rather than continuing his education. He and Kehinde share a close bond, and he often encourages her to speak up for herself, especially when their parents begin arranging her marriage. Kehinde, however, aspires to read, study, and become a writer.

When their father goes missing in a ferry accident, the family’s financial and emotional stability collapses. Kehinde is quickly married off to a much older, wealthy, and morally questionable man. She becomes the third wife in his household. Although unhappy, she finds companionship in the second wife, and later, forms another important friendship at a market stall her husband sets up for her.

Despite being trapped in a loveless, polygamous marriage, Kehinde does not give up on her dreams. In the process, she meets the love of her life. Still, her husband is a powerful and influential man. The question remains: can she ever escape his control and pursue the life she truly wants?

Read the book to find out.


Reflections

This novel resonated with me in its portrayal of a young woman’s pursuit of freedom, purpose, and love. Kehinde’s determination to live a meaningful life despite cultural and social constraints is both inspiring and thought-provoking.

As the author writes:

“Although The Parlour Wife is a work of fiction, I hope it will get readers thinking and talking about how people have always wanted the same things, through the ages – to find one’s purpose, to have a voice, to be free, to be useful, to love and to be loved for one’s true self.”
(The Parlour Wife, p. 349, Kindle Edition)

Agbaje undertook extensive research into women’s lives during this time and includes a useful bibliography for readers interested in learning more. However, despite being set in the late 1930s to mid-1940s in Nigeria, the novel’s tone did not feel distinctly Nigerian. The characters, particularly Taiwo, express a sense of loyalty to the British Empire that felt out of place without a critical examination of colonialism. As a work of historical fiction, there was a real opportunity here to critically reflect on many aspects of the British colonial empire in Nigeria and Nigerians during that period.

While many Nigerians did enlist in the war for several reasons, the harsh realities they faced, especially in Burma, are an essential part of Nigerian history. Their sacrifices were often overlooked, and the novel does little to confront this erasure. I was hoping for a more nuanced portrayal that acknowledged both the motivations and the consequences of colonial influence.

Kehinde’s journey, though empowering, also felt somewhat removed from the historical limitations that women in Nigeria faced during that time.


Recommendation

Despite these concerns, The Parlour Wife is a worthwhile read. The writing is strong, the characters are well developed, and the story offers an engaging look into personal resistance and ambition. I recommend it to readers interested in historical fiction, especially those seeking to explore the work of African women writers.


About the Author

Foluso Agbaje has been writing stories since she first learned to write. She calls Lagos home, though she has a deep love for London, and her writing is shaped by both cities.

She is a graduate of the Faber Academy, with a master’s degree in Management and Human Resources from the London School of Economics and a bachelor’s degree in Accounting from Loughborough University. When she is not reading or writing, she enjoys bookshops, museums, singing in her church choir, walking, and swimming. She lives in Lagos with her husband and two children, balancing her writing with a full-time career in financial services.

Citation
Agbaje, Foluso. The Parlour Wife (p. 365). HarperCollins Publishers. Kindle Edition.

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